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Nine from Laithwaites
Even if the name Tony Laithwaite isn't immediately familiar to you, there is a chance that you know his story. This is wine's original man in a van who started out, having made the acquaintance of several vignerons when working in Bordeaux as a student, bringing their wines back to the UK in a Ford Transit van for sale direct to customers. That was in 1969, and today the company - which has morphed from the original name of Bordeaux Direct into Laithwaites - has without doubt gone from strength to strength. Indeed, as part of Direct Wines Limited, along with the Sunday Times Wine Club, the NatWest Wine Club, the Barclaycard Wine Service, the British Airways Executive Wine Club, Avery's, Virgin Wines and Warehouse Wines, Laithwaites is part of what is the UK's largest wine retailer by some considerable distance. Along the way there have been flying winemakers - both creature and nomenclature were born in a Laithwaites wine bar - and Laithwaite has even acquired his own vineyards, starting in the Côtes de Castillon where he once stayed as a young student nearly four decades ago. Laithwaite has perhaps come full circle, and in doing so he has made an indelible mark on the little world of wine.
Although Laithwaite started with Bordeaux today the list is rather broader, featuring not only the wines of French regions such as Cahors, Madiran and Bergerac, appellations little-known in the UK when he first imported them, but also wines from Spain, Italy, Australia, New Zealand and beyond. These are the wines that feature in the Laithwaites list today, and like the red Bordeaux that was stacked up in the van nearly forty years ago they are largely exclusive to the company. The spin on this is that these are small producers, turning out authentic wines that have style and typicity and which must, I suppose, simply be overlooked by other importers and merchants. Critics, naturally and rightly, are quick to point out the downside of this arrangement; first, the quality might not be all the hard sell says it is. Secondly, when the wines are not sold elsewhere it is impossible to judge whether they are good value here, and thirdly finding independent opinion on the wines is not easy.

With this in mind, a recent taste of nine wines provided an opportunity to form my own opinion on the wines of Laithwaites, albeit an opinion formed on a minuscule although hopefully representative sample of the list. Never (as far as I can recall) having tried a Laithwaites wine before I didn't really know what to expect. Some customers are thoroughly loyal and no doubt swear by the wines they buy and drink, but other quarters direct some considerable criticism at the list. What I found - perhaps unsurprisingly, ultimately - was variable quality, ranging from uninteresting to good, but not much further beyond that. A number of wines were serviceably drinkable and interesting, but there were none which reached a level higher than that. And I have to confess that seemed somehow appropriate, coming from a merchant that specialises in selling to customers who are happy to have their wines chosen for them, such 'wine plans' being a strong feature of the Laithwaites business model.
My impressions of the nine wines are given below. I have included retail
prices from Laithwaites, and as usual also Wine Searcher (
)
links - although I suspect finding these wines at a stockist other than
Laithwaites would be very unlikely. (30/9/08)
Nine from Laithwaites - Tasting Notes
Tasted in September 2008. Click
to locate stockists.
JMS Barrel Fermented Sauvignon Blanc (Bordeaux) 2007: A wine
from Jean-Marc Sauboua, head of Laithwaites winemaking. This comes from the 'hand-selected fruit' (does that mean machine-harvested but hand-sorted?)
of 25 year-old vines. A stimulating nose here, first showing notes of ripe pear and
rose petal, with a little sweet confectionery alongside, although not in an
unappealing way, more like candied lemon, so with plenty of freshness and bite
rather than unrivalled sweetness. Although barrel-fermented this does not
dominate the nose (only a portion is fermented in oak), but it is there as a
seasoning, and behind it a steely, green, nettly note too. On the palate there
is a nice substance and plenty of firm acidity with a good dry, peppery grip
too. It fleshes out through the midpalate but always keeps that sharp, incisive
character through to the finish. A good and appealing style here, full and yet
firmly composed, with a short but lemony, wood-grippy finish. 16.5/20 (£8.49)
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Blanc Neuf Le Bastide (VdP d'Oc) 2006: I tasted most of these wines
completely blind, and I never would have guessed that this was a
barrel-fermented blend of Rhône varieties, with
60% Viognier and 20% each of Marsanne and Roussanne. As with the JMS, only a portion
is fermented in barrel. It has a fairly pale hue, and an appealing nose which has
elements of yellow pepper and a little hint of yellow tomato. I don't see
anything Rhône-like and there are elements rather more reminiscent of Alsace; a stony edge and a little sherbetty
fruit salad of pears and pepper with a fresh but watery feel. The palate follows
this latter vein, providing a low concentration of pepper, bitter spice and lean
fruit. A decent if rather plain foil for food, although a little more
concentration and impact would be appreciated. It has the sherbet and the spice,
but not the fruit or substance that I would really like. 13.5/20 (£8.69)
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Brightwater Sauvignon Blanc (Nelson, New Zealand) 2007: This wine
comes from the estate of Gary and Valley Neale which is in Nelson, near the tip
of the South Island. They have been making wine there since 1999. This vintage has plenty of typicity on the nose,
with yellow and green capsicum and greengage, albeit with a slightly fat, warm,
stony-herby character sitting behind. There is more than a little chalky, talcy
minerality here too. The palate is fresh and fleshy, with a good substance and
plenty to keep the lover of New World Sauvignon happy. There is an incisive
acidity underneath the flesh so it keeps a good balance, and it has a sappy
midpalate and finish. There is a little petit pois alongside the stony peppers
which might not appeal,
and a little grass too, but the flesh and balance here is certainly worthy of
attention. 16/20 (£10.79)
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Quinta das Amoras Colheita Seleccionada (Estremadura) 2007: This wine
is made by Dino Luis in Portugal's Estremadura region, a collection of coastal vineyards
noted mainly for quantity rather than quality, and dominate by local
co-operatives. Featuring the indigenous variety Castelão, it has a very deep colour, quite
a deep cherry-pink core with a paler rim. The nose starts off with aromas of fruits,
strawberries and raspberries, later showing a creamier, blackberry-laced
confectionery. The palate is fresh and cool at first, but then shows a slightly
bitter grip, and a texture of oil, bitter fruits, lemons and more. There is a
green and nettly edge to the fruit here too, and an earthy edge to the flavour.
It all seems rather simple and coarse to me, but at least it is dry.
13/20 (£5.99)
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Chateau Gachon Cuvée Saint-Georges (Montagne St Emilion) 2005: This
wine, a blend of 70% Merlot, 20% Cabernet Franc and 10% Cabernet Sauvignon, has a nice depth of colour, deep and claretty at the core. The nose
offers
plenty of promise, starting off with some smoky blackcurrant fruit, but soon
revealing the aroma of toasty, crunchy-caramel oak, and then the domineering, plummy,
spicy fruitcake aromas of Merlot, although it always remains dry and spicy
despite the obviously plentiful fruit. A supple and nicely balanced entry,
revealing a good and firm but ripe structure through the midpalate, sappy and
rounded fruit in the midpalate, with some grip towards the finish. It
seems well composed, nicely polished, perhaps showing some rusticity towards the
end but there is more than enough gentle substance to compensate. A good wine,
and certainly a strong effort for this minor appellation. 16+/20 (£11.99)
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Novello delle Vivene Teroldego delle Venezie (Italy) 2007: The spin
tells us that this is a special wine made for family and friends but thanks to a
long relationship it is now also available to Laithwaites customers. It has a fairly juicy red-purple
hue on inspection, and a soft and juicy nose strongly suggesting fermentation by
carbonic maceration, with plum, cherry and tomato
aromas. The plate has a very soft and rounded texture to match the impression
formed on the nose, with a very diffuse feel that never really connects with the
palate. There is good acidity but no backbone to speak of otherwise. Plenty of
squishy fruit though, with some peppery streaks at the end. This is a decent but
uncomplicated wine which may go down well in a simple trattoria, provided the
diners were not too demanding. 14/20 (£7.49)
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Falcoaria Reserva Ribatejo (Portugal) 2005: A blend of Castelão and Trincadeira, fermented in traditional
lagares and then aged in French oak before bottling, this is another wine from
Dino Luis. It has a deep and
inky hue with a raspberry-pink rim. On the nose, it immediately shows brambly
fruit with a ripe and rather jammy character, with little notes of smoke and
chalk. The palate is pretty much as you would expect with this in mind; ripe,
jammy, rich and rounded fruit, with plenty of warm and fuzzy oak applied on top.
It has a very faint red-fruit high-toned note in the background, although it is
well hidden behind all the plush texture. It has substance though; a ripe tannic
grip, but naturally low acidity. This will go down very well with lovers of
opulent wine, for acid-freaks it will be less appreciated. Nevertheless there is
definite quality here and it deserves some appreciation for this. 15.5/20 (£11.79)
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Hurtado Reserve Pinot Noir (Casablanca, Chile) 2006: Interestingly
neither the label nor the Laithwaites list suggest this has anything to do with
Cono Sur, but it is printed on the Stelvin capsule for all to see. This example of Chilean Pinot
Noir, made by Adolfo Hurtado, has a good depth of colour, and a real blast of beetroot character
immediately evident on the
nose as soon as the bottle is opened. There are
little nuances behind this, of cherry and chocolate, and overall it certainly
has an enticing character. Later it shows a rather charred and oaky character
belying the wine's ten months in French oak, and a furry animal skin
character which has less appeal. The palate has a lovely, tender touch on entry, with plenty of flesh
for this variety through the midpalate. There are warm and ripe tannins, and some
sweet fruit elements, alongside the more savoury notes that mirror the beetroot
nose. On the finish, dry despite the substance of the wine, with some structure
showing here. An appealing tingle of acidity throughout makes this a pleasure to
drink and food-friendly. It may not appeal to Pinot classicists, with its charry
oak and 14% alcohol, but accepting that this is certainly quite drinkable. 16/20 (£9.29)
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La Curio The Nubile Grenache Shiraz (McLaren Vale, Australia) 2006: Wines
under the Curio label are made by Adam Hooper and Elena Golakova at the Redheads
Studio - another Laithwaites innovation according to the literature - in the
McLaren Vale; it is a small-scale, garagiste-style
operation. The wine in question has a dense colour in the glass, and perhaps a parallel
density on the nose, where there is fruit presented with a sweet, smoky,
treacle-toffee richness. Sweet and plush on entry, full and round, although with
plenty of ripe grip and some acidity beneath. This is a full-on wine, in no way soft or blowsy
thanks to some good definition to the
undeniably flattering texture. Overall, this is really good albeit in a style
that will not appeal to all, but there are elements of poise and purity between
the power and the velvet that make this an appealing wine, and perhaps one of
the better ones in this nonet. 16.5/20 (£14.39)
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