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Humble Pie with Pithon-Paillé, June 2011

Pithon-Paillé

This update relates to wines tasted in
June 2011.

For more on this domaine, including all my relevant tasting notes, see my Pithon-Paillé profile.

First of all, those expecting an article on food or wine matching, and perhaps those unfamiliar with the concept of humble pie, please accept my apologies. For there will be no pie served with this article. This is not, despite erroneous expectations, a feature on food and wine matching. The only things I will be eating here are my words.

Following my report on the latest releases from Pithon-Paillé, tasted in January 2011, Wendy Paillé enquired as to whether she could send some new samples for me to assess. In particular, could she send new bottles of the 2009 Anjou Blanc Mozaïk and 2009 Savennières? Naturally I acquiesced - in fact I was delighted to be given an opportunity to retaste these wines which seemed, when I met them last, to be cut through with a firm and - to me at least - a very undesirable seam of oxidation. At the time I showed due diligence, in that when Wendy asked me how the wines were showing I mentioned that two were showing some notes of oxidation. Ideally, I would have returned to retaste them during the Salon, but having met up on the final day there was simply no such opportunity. Happily, thanks to my recently received samples I have been able to retaste, and the result of doing so is this short tasting report. And I have to confess that my opinion of these wines is now very different, much more in keeping with my thoughts when I tasted them during my visit to Pithon-Paillé in 2010. So, for that, I send my apologies to Wendy Paillé and the Pithon-Paillé team.

Pithon PailleThere are many different facets of this change of heart that I could explore within this report. For example, please indulge me for a moment and consider just how many writers there are worldwide who currently comment on, score or critique wine, including both professionals and the more amateur blogger. Isn't it remarkable that you never - or perhaps I should say almost never, as I am sure there will be a few examples out there - see any retractions of scores or opinions, or admissions that a wine has been judged incorrectly? Everybody seems to get it right, first time, every time. My only conclusion is that there must be a lot of 'perfect' tasters out there.

The only reference to such an admission of error that springs to mind was during Robert Parker's visit to Cheval Blanc, described by William Echikson in Noble Rot (W. W. Norton, 2005, p.110). Parker visited the château in order to retaste the wine, having been invited to do so by manager Jacques Hébrard. To his dismay Parker, on tasting, "realized that the wine was indeed better than he first thought". He was bruised and battered by the experience, and not just in terms of his professional reputation - Echikson describes how Parker was attacked by Hébrard's dog during his visit, an episode which apparently "left a scar on his leg for life".

To me the affair all sounds a little bit precious, and I suspect that, somewhere along the line, it has been over-dramatised somewhat. And does such a vicarious admission of a mistake really count anyway? It's a story from Echikson (the veracity of which I have no reason to doubt, but I do not vouch for it), not an admission from Parker. How often do you see critics stand up and say, in their own voice, "I got it wrong" or "I've changed my mind"? Are the professional reputations of these critics so fragile? Should Parker, for instance, in down-grading his opinion of the 2008 Bordeaux vintage, so recently reassessed, have accompanied his new notes with a few conciliatory words? Or is maintaining the impression that you never get it wrong, and that you didn't really over-rate the wines when tasted en primeur, more important than the wines and vignerons that you judge?

Alternatively, this short tasting report could lead me down another path, one of natural winemaking, and how oxidation can no longer be routinely dismissed as a fault. But I consider this too much of a tangent to the basic tenet of this report which is, in case it isn't already clear, that - thanks to some tired samples - I misjudged these wines, and I will save these other thoughts for tomorrow's blog post. And so, without immediately opening that can of natural wine worms, may I present a portion of humble pie, with three notes on wine samples sent to me by Wendy Paillé. (9/6/11)

Humble Pie with Pithon-Paillé - Tasting Notes

The wines below were tasted in June 2011. All my tasting notes on Pithon-Paillé's wines, including those below, are collated under my Pithon-Paillé profile. Click to locate stockists.

Scotland, 2011

All three wines here were tasted at home. Note that the first two are differentiated purely by the closure used.

Pithon-Paillé Anjou Blanc Mozaïk 2009: A négoce wine. Bottled under screwcap. On the nose, this pale gold wine has an autumnal apple character, sweet and relaxed, and yet also quite vibrant and pure in style. At the edge there is a lifted bright, green-apple-skin note. But on the palate it is certainly more perfumed and fleshy than green, showing a sweet flavour reminiscent of pink-fleshed apples. This comes with a lovely substance. quite solid and yet bright, giving the wine a rather bold feel at times. Also a touch grippy, although very approachable, with its solid apple-flesh character. Delicious freshness and brightness here. Very good. This is much better than my previous taste of this wine which was clearly a tired sample. 16/20

Pithon-Paillé Anjou Blanc Mozaïk 2009: A négoce wine. Bottled under natural cork. Pale gold, like the wine from under screwcap, but aromatically and on the palate the wine displays a vibrant energy underpinning the fresh, pure apple character I find here. In terms of flavour it seems very closely related to the first wine, but this bottling seems a touch more vivacious and lively. It has the same purity and lift, with elements of sweet pear and ripe dessert apple, and it has good concentration, again a touch of perfume, rather like pink-fleshed apples. But there is a more energetic substance here, a more minerally precision and more tingly acidity behind the soft and sweet, slightly autumnal apple fruit. This energy really helps to balance out the slightly mellifluous and flattering character. It has a substantial and rather biting finish, the end long and exciting. This is more like it! 16.5/20

Pithon-Paillé Savennières 2009: This cuvée is a blend of Pithon-Paillé and négociant fruit. In the glass this has a polished, lemon-gold hue. Aromatically it is soft but clean and very appealing, with suggestions of bruised pear and apple skin, sage, and with a sweet, polished, honey-tinged nuance. There follows a lovely substance on the palate, showing the bruised fruit character found on the nose, but certainly in a clean and fruit-orientated frame, with not a hint of oxidation. Full, gently integrated, approachable with well polished edges on the palate, which hides a gentle grip within the body of the wine. Nicely composed, the fruit easy-going and with a very autumnal feel, notes of sweet and soft apple - cooked apple perhaps - with a very faint brown sugar twist. Underneath the softness there is good grip though, and although it is not immediately apparent there is a really fresh acidity here too. This is much more reminiscent of my earlier tastes of this cuvée, but with the softness and polished integration of a little bottle age. My previous taste of this cuvée was oxidised; it must have been a tired sample. 17/20