Home > Winedr Blog

Vouvray Hail: Update

The Vouvray syndicat have released a statement regarding the hail, on which I reported yesterday morning here.

The press release confirms the information I received (and reported on Twitter) yesterday; two-thirds of the vineyard were hit. Of 3000 hectares eligible for the appellation, there are currently 2200 hectares planted, so this means approximately 1500 hectares were affected.

The damage ranges from 20% on some plots to 100% on others. Those with 100% damage have clearly lost everything for this year, as there is no hope of recovery and production of ripe grapes before harvest would be due. Indeed, some have suggested that the damage to the vines was enough to knock out next year’s harvest as well.

The worst affected communes were Parçay-Meslay, Vouvray, Rochecorbon, Vernou-sur-Brenne and Reugny (five of the eight communes eligible for the Vouvray appellation).

Vouvray hail, 2013, by Peter Hahn

Above is a picture of some hail damage, taken by Peter Hahn of Clos de la Meslerie. Peter’s vines were undamaged, so he is one of the lucky ones. Just a few hundred metres away, though, vines have been stripped bare of leaves and the embryonic flower bunches, as shown above.

The press release indicates that syndicat representatives will be meeting with “local and national government officials” to discuss possible aid. Although, as the release points out, hail is not classed as a “natural disaster” and so I am sure the vignerons aren’t holding their breath (update: actually things look more positive than this old cynic imagined – further details from local authorities suggest aid may be forthcoming). With this in mind it has been great to see some support expressed for the growers, with fans of François Pinon on the Wine Disorder forum obviously keen to do something. Well done to them.

Hail in Vouvray: Extensive Damage

I’m saddened to report that this morning a hailstorm cut a path across Touraine, depositing huge hailstones across much of Vouvray. The damage has been extensive, with some vignerons suffering 100% hail damage to the vineyards.

Vouvray weather reportThe hailstorm cut a path from west to east over Tours, running across the northern part of the Vouvray vineyard. The weather map to the right shows the location of the storm, the red dot being Vernou, just east of Vouvray, and well within the Vouvray appellation of course.

I spoke to Tania Carême, Vincent Carême’s wife, who reported most in the commune were still in a state of shock. The hail stones were as large as hen’s eggs, and in some places piled up in drifts 20 centimetres deep. They damaged cars (smashing windscreens and denting the metalwork), battered roofs, and of course where they hit vineyards they stripped the vines in entirety, leaving only bare wooden stems. This late in the season, this surely means no chance of recovery.

A few but not all have suffered total devastation. François Pinon has reported all his vineyards have been hit with hail, with the entire crop lost. Sebastien Brunet has suffered extensive but not total devastation. François Chidaine’s Vouvray vineyards have been hit, althogh those of Peter Hahn have largely been spared I believe. Vincent Carême has suffered across 5 hectares, with about 80% loss on those (largely the sparkling wine vineyards), although another 10 hectares were not hit. Le Peu Morier, on the première côte, was not hit, but other vineyards just 100 metres further on were. Montlouis is totally untouched – it is the northern section of Vouvray that has been hit hardest, especially up the Vallée de Cousse, Chançay and Vaugondy.

It seems as though the damage has not quite been 100%, but it looks massive. I will hopefully bring more news and maybe pictures later.

Sauternes #7: Lafaurie-Peyraguey 2001

It has been a few weeks since I returned to my irregular posting of random Sauternes notes. Well, I say random; you don’t need to be Sherlock Holmes to see I have been going for my 2001s first, peppered with the occasional 1998 and 2007.

Here, in episode seven, a return to this vintage that I love so much with an estate that I have long favoured. Although I think Climens would have to be my favourite in Barsac, in Sauternes the book would be wide open. Château Lafaurie-Peyraguey would surely be a front-runner though.

Château Lafaurie-Peyraguey 2001

This 2001 is typical of why I love this vintage, and this estate, so much. As is often the case with Sauternes, the wine remains available on the open market at a very fair price. Look at it against the prices of the most delicious Pomerols from the same vintage, and the disparity between the two is all too apparent.

Château Lafaurie-Peyraguey (Sauternes) 2001: A fine, slightly matt, but certainly rich golden hue. Wonderful concentration and complexity on the nose, with the rich golden fruit aromas tempered by more savoury nuances which segue very readily into botrytis, lightly salted caramel, baked honey and more. It seems to have a very convincing and composed character, with plenty of evolved elements. There is a fine richness on the palate, broad and with a sweet substance to it, with some of the intense, baked honey elements seen on the nose. This has a very fine combination of harmony, great depth and a glycerine-infused richness, despite the savoury, bitter-orange characters presented by the fruit. This wine has exactly the same confidence and pure yet heavyweight integration that Rieussec possesses in this vintage. In other words, it’s a stunner. 19/20 (June 2013)

Loire Misunderstood #2: Muscadet is for Oysters

When I started this series of “Loire Misunderstood” posts with my comments on herbaceousness in red wines I had maybe a handful of topics to cover. A week or two later and that list has grown somewhat; it is now as long as my arm! I was going to continue ticking off my list in this second post by tackling another Loire red wine misconception, but instead – having just returned from a couple of days in Muscadet country – it is to this most misunderstood and maligned wine region I turn next.

Wherever you are reading this, I can guarantee you have at least heard of Muscadet, even if you have never even seen a bottle or tasted the wine. It used to be one of those ubiquitous wine list staples, the name itself becoming a byword for a light, breezy, inoffensive white quaffer. A few decades ago the UK fell in love with it; plantings increased dramatically and production soared, but ultimately quality fell. Eventually (in the UK at least) the name became associated not with something fresh and fun, but something watery and weak. A joke wine. A wine to be avoided, if you valued the enamel on your teeth. Prices plummeted. Generalising wildly, this remains the overarching view of Muscadet (in the UK at least), and although the UK remains an important market in terms of volume, the region’s vignerons are usually much happier selling to the USA and Japan (two other very significant markets) where they can at least get a decent price.

A quick aside; I wonder if there is a lesson in here somewhere for the producers of Prosecco, a word which – as ‘Muscadet’ once did – has entered the lexicon of non-geek UK drinkers (and maybe elsewhere too?). I suspect few of these new Prosecco fans could name any other Italian DOC/DOCG (except perhaps Chianti) but the word Prosecco trips off the tongues of more and more drinkers in recent times. I have heard it name-checked as an after work tipple, and seen it necked back at midday on a train, as I had the misfortune to share a railway carriage with a large hen party on the way to a weekend of drinking (their food match in this case was several bags of Haribo confectionery). Let’s hope the Prosecco producers don’t fluff it up as others have done in the past. But I digress; this is not a story for me to concern myself with here. Back to Muscadet.

If you were to take a straw poll of drinkers, asking for their opinion of Muscadet, I think you might get answers along these lines. The wine is:

1. Cheap, because it should be, because it’s tasteless, characterless wine.
2. It’s lean and acidic, maybe a result of poor ripening in a cool climate, high volume cropping, and a careless approach to viticulture.
3. It’s made for drinking with oysters. Or other weird seafood (last week I tasted sea urchin for the first time – haven’t seen that in my local Aldi or Lidl!) nobody eats. Therefore there’s little point in buying it, as I don’t like oysters. Or I do, but I don’t eat them at home. Or I prefer Chablis. Or Champagne.
4. It’s a simple wine made for drinking young. Avoid buying the 2011 vintage, it’s too old; stick with the 2012s. Old Muscadets aren’t good; they certainly don’t taste like Muscadet any more.

That’s a lot of negativity. And before you decry my pastiche of the Muscadet critic, my imagination is not running wild. I heard some (not all, thankfully!) of these criticisms coming not from the mouths of wine drinkers polled on the street, but from UK wine experts – writers, critics and journalists – who accompanied me on a trip to Muscadet last week. I would disagree with all of the points above. But I’m only going to tackle one here, and let’s start with oysters.

Muscadet and oysters

To be honest, I do think Muscadet is the perfect oyster wine. Others have a different opinion; the inhabitants of Nantes, for example, actually regard Folle Blanche (otherwise delightfully known as Gros Plant de Pays Nantais – sounds disgusting, doesn’t it?) as the ideal oyster wine. In Bordeaux they often pour Pessac-Léognan, naturally. At a rather crazy soirée at Château La Fleur de Boüard a few years ago, hosted by proprietor Hubert de Boüard de Laforest, there were only red wines for drinking. Ugh. But for me it is Muscadet, every day.

That does not mean, however, that Muscadet only works with oysters. Or even only with seafood. Muscadet has changed; there are intra-appellation differences, different soil types giving very different wines, and new crus communaux (if you find the term confusing, just think ‘crus‘ or even ‘premiers crus‘ – this is, essentially, what these new zones are) which yield wines with unique characters and richer substances. The light, zippy, saline bite of a wine from serpentinite or amphibolite (both igneous rocks) is delightful with oysters. But other wines, richer wines from gabbro, gneiss, orthogneiss or the richest of all, granite, will happily see off any shellfish, and also white fish including – in the past week, in Nantes – sea bass and john dory. Step up to the crus communaux, wines made from older vines, with lower yields, aged sur lie typically for two years, and you have wines that work well with white meat, light game meats such as guinea fowl, veal and foie gras (I was in a minority on this one, but it worked for me). Once you move to the extremes of styles coming out of the region you have wines that defy the name Muscadet altogether. Take Cuvée Bruno, from Bruno Cormerais, poured for me blind by David Cobbold in Angers a couple of years ago; this wine had me guessing the grape as Chenin Blanc, Romorantin or even Verdelho before somebody clicked it had to be Melon de Bourgogne. These wines are rewriting the Muscadet rule book.

These experimental wines, and the crus communaux wines, are to generic Muscadet what Le Clos and Valmur are to generic Chablis. They are clearly of the same family, but they operate on a very different level. Chablis might be your choice for fish cakes on a Tuesday evening, but Le Clos would surely be better suited to faison à la Normande served for Sunday dinner. These different purposes do not invalidate either style; they are both, we would hopefully agree, ‘Chablis’. And a generic Muscadet Sèvre et Maine sur lie would be fine on Thursday with a salad of dressed crab, but with roasted guinea fowl on Saturday evening a bottle from Clisson, one of the first three crus communaux to be ratified by the INAO (six more are set to follow), would be my choice.

So, can we please get over this misinformed, blinkered view that Muscadet is just one style of wine, that works with oysters, and nothing else? Because, quite simply, such a view is about ten years out of date.

Fizz from Francois Pinon

It’s been a while since I caught up with the fizzy Vouvrays of François Pinon. Here are notes on two older (but not old – good sparkling Vouvray can age just as well as the tranquille stuff!) bottles from the cellar. Having said that, these two seem to be on a plateau at best.

François Pinon Vouvray

François Pinon Vouvray Brut Non-Dosé 2006: Purchased Summer 2008, at the domaine. A pale straw-golden hue, and after a gently effusive start a rather lazy bead. The nose has evolved here, not surprising as it seems to be three years since I last took a look at this wine. There are scents of toasted hazelnuts now, and a little brioche, although it may sound rich it actually still feels bright and lightly minerally. The palate has a nice substance, and doesn’t display its non-dosé character too plainly, although the end of the palate does feel pretty dry. Rather gentle, attractive, with a firm and defined texture. An attractive wine, although nothing much to be gained here by keeping longer I think. 16.5/20 (May 2013)

François Pinon Vouvray Brut NV: Despite previous bottles having a ‘sparse’ bead, this one seems quite confident. The nose suggests rich apples and coffee, slightly sweet in terms of depth, but also slightly grainy. The palate has the same character on the start of the palate, showing some evolved, honeyed, bitter character, suggestive of coffee grounds, and caramelised apples, mirroring the aromas on the nose. It feels much softer and more integrated than previously, with a burnt sugar twist, but with a flavour that has lost some of its freshness and defined zip as a consequnce. 16/20 (May 2013)

Loire Misunderstood #1: Herbaceousness

It was only yesterday that I came across a curious opinion on the wines of the Loire. Where I came across it, and what that opinion was isn’t important (right now, anyway) but it started me thinking about other beliefs that exist regarding these wines. Some beliefs make perfect sense, but I could also think of some that are blatantly false, or at the very least open to question. In this post, and in a series of future posts (which will no doubt be published at erratic and seemingly random intervals – in other words, whenever I get the time), I will look at some of these beliefs – or misconceptions as I have called them – with a focus on those that, essentially, wind me up the most.

In this first post, herbaceousness in reds.

In particular I am referring to Cabernet Franc in Anjou and Touraine. Clearly there are other varieties planted here (Grolleau, Gamay, Pinot Noir and others) but it is Cabernet that is foremost in my mind, mainly because this variety is the backbone of the Loire ‘heartland’, including Chinon, Bourgueil, St Nicolas de Bourgueil, Saumur and Anjou Rouge. Cabernet Sauvignon also plays a role here of course, notably in Anjou Rouge where it produces (from the likes of Yves Guégniard and Vincent Ogereau) some magnificent wines.

I don’t mean to delve too deeply into a tangential scientific discourse, but it is worth looking quickly at the story of methoxypyrazines, a major cause of the greener aromas and flavours that can be found in Cabernet Franc (pictured above….in Bordeaux, admittedly) and Cabernet Sauvignon. If the word methoxypyrazine sounds vaguely familiar to you, that’s probably because from time to time it crops up in tasting notes for Sauvignon Blanc, as early-picked grapes are still rich in methoxypyrazine when harvested and it is seen as a characteristic (and by some desirable) feature of Sauvignon Blanc. Cabernet Franc is another variety with a tendency to methoxypyrazine production, and so too is Cabernet Sauvignon (hardly surprising when we remember that the latter variety is the progeny of the first two).

Methoxypyrazines exist in high levels in raw vegetables (as well as ‘raw’ unripe grapes I suppose) and their presence lends a vegetal aroma which can veer away from herbaceousness into the vegetable box; green capsicum is classic, but I have sensed everything from green bean, celery and celeriac (quite common) to beetroot, courgette and aubergine (less common). All can be put down to the presence of methoxypyrazines, in particular 2-methoxy-3-isobutylpyrazine.

Methoxypyrazines are synthsised by the grapevine, and levels increase until véraison. Work by Hashizume & Samuta in 1999 demonstrated that once colour change and ripening was underway, however, levels fall rapidly, then continue to slowly decrease as harvest approaches. This occurs under the influence of light, so leaf plucking to increase exposure can help. The key point here for me, though, is that detectable levels of methoxypyrazines (in excess of 15 ng/l) indicate unripeness (although late rain promoting vine growth can also be important). Pick later, you get ripe grapes, and no herbaceous, leafy, green pepper or other vegetal aromas.

Now look at these extracts from decanter.com’s online guide to grape varieties:

On Cabernet Franc:…[o]utside Bordeaux it’s the major red grape of the Loire, where it’s more herbaceous in style…

On Cabernet Sauvignon:…[i]t tends towards herbaceousness when not fully ripe with capsicum and grassy undertones…

This approach mystifies me. For one variety in one region, a wine is regarded as under-ripe when herbaceous. For a second variety in another, it is a matter of ‘style’. As you might imagine, I disagree. I taste a lot of wines from the Loire, and those that are green (celery, green pepper or otherwise) are not expressing a Loire ‘style’, but are in my opinion demonstrating classic Cabernet signs of under-ripeness. We do not define Bordeaux, Burgundy or indeed any other famous wine region by the lesser, under-ripe wines that can be found there, made by uninterested growers or the result of wetter and weaker vintages. We do not drink English red wines, content that the greener flavours are part of the English ‘style’. Why, then, do some insist on doing the same with the Loire?

Taste the wines of a grower who seeks out quality and ripeness – Matthieu Baudry, Yannick Amirault, Antoine Sanzay, Vincent Ogereau to name but four – and you will not, on the whole, find green is a character of the wines. You will find purity, definition, clean fruit, vibrant structures, occasionally soft and welcoming textures. As delicious as any ripe Bordeaux or Burgundy, but still displaying lots of real Loire style, which reflects the terroir, not the ripeness of the fruit.

Terroir is a topic for another day though. For the moment, can we please stop judging the Loire by unripe wines made by co-operatives and bored vignerons, and peddled by those with a perhaps distorted, certainly outdated view of the wines of the Loire?

Further reading: Grape maturity and light exposure affect berry methoxypyrazine concentration, Am J Enol Vitic, 1999, 50:194-198, Hashizume K, Samuta T

Pierre Gaillard, 2011 Vintage

I’ve already written up a couple of Gaillard wines this year, led by the delicious 2012 Condrieu from Pierre Gaillard, and also this week’s ‘Weekend Wine’, an appealing 2012 Collines Rhodaniennes Syrah from Pierre’s daughter, Jeanne. Here are notes on three other wines recently tasted, all barrel samples sent over to the UK:

Pierre Gaillard St Joseph 2011: Fresh and smoky character on the nose, scents of blackberry and raspberry on toast, quite pure, bright and defined, with a slightly crystalline but ripe edge to the fruit. Cool and fresh on the palate, bright, pure, a lightly chalky edge to the texture, with good grip and savoury bite. Great freshness to it. Plum skin and cherry stone notes. Cool, with restrained texture, and a sappy, savoury finish. Really appealing but speaks of a very cool style. 15-16/20 (May 2013)

Pierre Gaillard, 2011 Vintage

Pierre Gaillard St Joseph Clos de Cuminaille 2011: Fresh, fairly dark hue here, and a smoky berry fruit with nuances of oaky, chocolate-tinged coffee. A gentle texture though the middle, the fruit playing second fiddle to the wood here. This shows a slightly medicinal cherry character, with nuances of smoky bacon. A fresh and rather dry finish, with some woody, slightly bitter grip to it. I think I might prefer the more restrained fruit character of the St Joseph, but maybe this will absorb the oak given time. 15-16/20 (May 2013)

Pierre Gaillard Cote-Rotie 2011: A matt, rather claretty hue, with a moderate concentration of pigment. The nose opens out to reveal some classic young Syrah fruit, blackberries with that very typical twist of brown-sugar sweetness, nuanced with thyme, liquorice and fennel, and also a little floral perfume. The palate carries some lightly spiced, cedar-tinged fruit, with a lightly crunchy edge. Fresh, and showing early oak-tinged complexity. Some good potential here. 15.5-16.5/20 (May 2013)

Sauternes #6: Chateau Lafaure-Peyraguey 2007

Take a straw poll of favourite Sauternes vintages and I suspect 2001 will come high up the list, and it would most probably come out on top. It is certainly one of mine, and this is why I have been featuring many wines from 2001 recently.

Next, we might have 2009, 2010 or 2011. Although these are very young, those who have tasted them (and I know that is going to be trade and press only for those still in barrel) know these are three very fine vintages.

Where next? Actually, there are many recent vintages I would happily buy, including 1999, 2005 and 2007. The latter is of some interest because my tasting impressions go right back to my primeur assessments. And although early on they impresed with vibrancy and purity, more recent tastings – such as this IMW 2007 tasting – indicate that the wines (a selection, at least) have taken on some weight and substance since those early first tastes.

Château Lafaurie-Peyraguey 2007

The 2007 from Château Lafaurie-Peyraguey is one very fine example of this……

Château Lafaurie-Peyraguey (Sauternes) 2007: A rich golden hue. Very pure, bright and aromatic character, with apricot, quince, pear and peach, along with some overt, fragrant, floral overtones. The fruit feels rich, and it is undercut by a very incisive, effusive, sherbetty vein, with a slightly high-toned suggestion. The palate is broad, fleshy, seductive, much more so than you would expect from the reputation of the vintage. Underneath there is a really vibrant feel to it, a stony cut, with bitter fruit elements framing the rest of the palate. Good acidity too. Sweet, rather primary fruit, oranges, but matched by promising sensory elements that suggest botrytis. 17.5/20 (May 2013)

Decanter Judging: Grand Variety

Wednesday was another day of judging on behalf of Decanter, on the Decanter World Wine Awards, and sadly this was my last day here this year, as I have commitments on Thursday and Friday that I simply can’t break. That’s a shame, as the Loire judging led by Jim Budd is continuing on for another two days, and no doubt there are many good wines yet to be tasted.

Today’s panel was only slightly different to that of yesterday. Myself and chairman Jim Budd were again joined by Loire expert Richard Kelley MW, pictured below in a similarly serious pose as that struck yesterday.

Decanter World Wine Awards
 
Replacing Véronique Rivest, who was judging on a different panel today, was Nigel Wilkinson of the RSJ restaurant. Nigel is a stalwart of the Loire panel and he has been tasting, buying, drinking, serving (his restaurant is renowned for its Loire-focused wine list) and judging the wines of the Loire far longer than I have.

Decanter World Wine Awards
 
There was joy in the variety of wines today, as although there was a fair amount of Sauvignon Blanc in the middle of the day, from almost every Loire appellation you could care to name, there were plenty of other styles too. We started with some sparkling wines and then Muscadet, and finished up with a sequence of flights featuring Chenin Blanc (mainly Savennières, Saumur and a little demi-sec Vouvray), red wines (mainly Touraine Pinot Noir, Gamay and Côt) and then a flight of sweet wines, from the Coteaux du Layon and Bonnezeaux appellations. Quality was up and down (isn’t it always) but there were certainly some gold medal opportunities here today.

Decanter Judging: Sauvignon City

Today was a good day judging at the Decanter World Wine Awards. I think the strongest feature of these awards is the regional focus, and I always judge on the Loire panel. And always intend to, for as long as they keep inviting me back, anyway.

Today’s panel was a strong one; pictured below are panel chairman Jim Budd (on the right) who I suspect needs no introduction. He appears to be listening intently here to fellow panel member Véronique Rivest (on the left), who came fresh from success in a global sommelier competition in Tokyo, where she finished in second place. She is French-Canadian, and has a newspaper column and radio slot as well as working as a sommelier.

Decanter World Wine Awards

Also on the panel was Richard Kelley MW (pictured below, deeply engrossed in a glass of Cheverny, his new favourite appellation). I have a lot of respect for Richard, who knows his stuff and knows the Loire very well, but this is the first chance I have had to taste alongside him. As I expected, I learnt from him during the course of the day, as I listened to his opinions on the wines. Judging with Decanter can be very beneficial that way, I have found.

Decanter World Wine Awards

The tasting day went smoothly; organisation here, led by Sarah Kemp and her team, is always good. Today started with Muscadet, where there were some good wines, with the 2009 and 2012 vintages showing strongest, and we handed out some medals. The same was true with a later flight of Pouilly-Fumé, with the 2012 strutting its stuff here, giving us another medal-awarding opportunity. Along the way we saw sparkling wines, Cheverny, Cour-Cheverny, Saumur, Chinon, Touraine whites and reds and of course plenty more Sauvignon Blanc, from all appellations. There were medal opportunities in every flight.

I will be judging again tomorrow but that will be it for this year, as I have commitments later in the week I can’t break. Let’s hope there are some sweet wines tomorrow, as these are always the highlight, and so I don’t want to miss them with not judging on Thursday or Friday. There may still be some 2010s and certainly some 2011s in the system, both good vintages. Who knows, we might see some more gold medal candidates to add to the golds awarded today.