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The following press release from Domaine Clarence Dillon – in other words Prince Robert of Luxembourg, CEO of this family firm and thus the man in charge of Haut-Brion and La Mission Haut-Brion, of course – describes an ambitious new project to build a cultural centre for wine, at the entrance to the Port of Bordeaux:
The Dillon family and Domaine Clarence Dillon are pleased to join forces with the City of Bordeaux as founding members of the future Centre Culturel et Touristique du Vin
The Centre Culturel et Touristique du Vin, located at the entrance to the Port of Bordeaux, will be open to the public in 2015.
An ambitious and original project, the Centre Culturel et Touristique du Vin will be a major cultural facility of international standing that pays homage to our shared civilisation of wine. An innovative architectural project both in terms of its theme and conceptual design, the Centre will celebrate wine both in its universality and its diversity.
“Bordeaux… for millennia a port town benefiting from cultural exchange, trade and the perpetual outreach towards distant civilisations and cultures. Through the Centre Culturel et Touristique du Vin project we celebrate the past while looking towards the future. The city of Bordeaux cements its place as the natural gateway to the global civilisation of wine” declares Prince Robert of Luxembourg, President and CEO of the family firm and great grandson of its founder, Mr Clarence Dillon.
The Dillon family: a long-standing tradition of patronage
For the Dillon family, associated for many years with charities of a humanitarian nature, this commitment to the Centre Culturel et Touristique du Vin project is part of a long-standing tradition of philanthropy and patronage begun over 75 years ago by Mr Clarence Dillon.
Cultural projects: The family’s activities in support of the Bordeaux region include the return to France of Michel de Montaigne’s “Livre de Raison” and the acquisition by the Town Library of a Montesquieu manuscript; Aid was given to the Bordeaux Opera in order to renovate the Théâtre’s Grand Foyer and Painters Room. The company is a proud sponsor of the Bordeaux International String Quartet Competition and the Estivales Summer Music Festival, and the friends of the Opera association, Arpeggio. In 2010, Domaine Clarence Dillon became a patron and founder member of the Bordeaux University Foundation.
Domaine Clarence Dillon and Château Haut-Brion: at the heart of the history of wine
A long while after the introduction of the vine in its fabled soils between 40 and 60 AD, in the 1660s Château Haut-Brion became the birth place of the “New French Claret”, the precursor of fine red wines as we still know them today. Château Haut-Brion can thus be considered the ancestor of the great growths of Bordeaux and its historical relevance is without rival.
Imbued with this prestigious past, it seemed only natural that Domaine Clarence Dillon should want to perpetuate and highlight the heritage of the world’s wine civilisations.
An agreement was thus signed in late December 2011 between the company and the Association for the construction of the Centre Culturel et Touristique du Vin.
Prince Robert of Luxembourg points out that “France remains the most popular tourist destination in the world, Bordeaux the most famous reference for fine wine. As more and more visitors come to discover the exceptional beauty and culture of our city ….this monument to our common civilisation of wine will become the inevitable starting point for any visitor”.
Domaine Clarence Dillon
Created in 1935, the family-owned Company, Domaine Clarence Dillon is privileged to produce four wines of first rate and equal reputation: two red wines and two white wines from Château Haut-Brion and Château La Mission Haut-Brion.
Steeped in close to 2 millenia of history, the family company strives to have its deep heritage reflected in all of the wines produced under its name.
Constantly maintaining a balance of tradition and innovation, in 2005 the company created the Bordeaux Fine Wine Merchant Clarence Dillon Wines and launched Clarendelle, Bordeaux’s first super premium luxury brand wine.
Last summer, the family-owned firm, Domaine Clarence Dillon, was pleased to announce the purchase of a beautiful estate in Saint-Emilion, baptising it Château Quintus. The 2011 vintage of this wine will be presented to trade professionals during the En Primeur tastings held from April 2nd – 6th 2012.
Excellence and elegance are the bywords which have come to define the great wines produced by Domaine Clarence Dillon.



On top form yesterday, and clearly innovating and developing, were
Anyway, enough opinion on InterLoire. What of the wine? Yesterday was a really productive day, as I revisited domaines I know well, domaines I have overlooked for a couple of years, and some new faces too. As for the former category, first tasting of the day was at
At Luneau-Papin we eventually located Pierre in his underground garage, after about 15 minutes of knocking and doorbell-ringing. First up was a tour of the cellars, and a chance to taste through all the 2011 brut de cuve samples, along with a selection of other recent vintages, mostly 2010 but also the occasional cuvée from the 2009 vintage. The most notable feature here was the pure, rich, clean, minerally character of the wines. Perhaps the most important word here is clean; having already tasted a large number of Muscadets from this vintage it is clear that 2011 was seriously troubled by rot. Watch out if you encounter any for the tell-tale flavours; dead fruit, brown fruit, undergrowth, dead leaves, damp soil and even plain old rotten fruit, in wines that should be vibrant and fresh. If you’re unsure about this ‘rot’ flavour I find blackberries, left on the bush until the core has turned from white-green to sticky brown, often assisted by rain, to provide a very vivid flavour of rot. Somehow I don’t think this is an aroma/flavour that will be making it into those expensive nez du vin sets anytime soon though.
There we met Yves Guégniard and his wife Marie-Annick, and we made a tour of his estate, which is a handsome one at the best of times but with the vneyards lying under a moderate dusting of snow it was even more picturesque. We looked at some of Yves’ oldest vines, Chenin Blanc of approximately 100 years old, the original plants grafted oto American rootstock but then – remarkably considering the fact the original planted were so established – propagated by provignage. This is essentially tip-layering, bending down one of the shoots and securing it under the surface of the soil, traditionally with nothing more technical than a rock placed over it. Once it has rooted (on it’s own roots, note, not grafted) it can be separated from its parent plant, although this last step – as we saw with Yves’ vines – isn’t essential. I wonder if this maintained union between the grafted vines, and its offspring established on its own roots, is somehow important in preventing the younger vine from succumbing to phylloxera?